2017 has indeed been a good year for good music in the Nigerian music industry. With the steady and gradual redefinition of sound in the industry away from the older upbeat, fast tempo tunes to more laid back, chilled tunes. A fresh sound that is being celebrated by many as a breath of fresh air. Alternative sounds like those of the Nonso Amadis, the Odunsi’s, the Teknos, the Runtowns and the Mr Eazis have worked their way into mainstream. Following increasing pressure on the Nigerian music industry by international demands to “go global”, artistes are clearly working on writing better lyrics, reinventing the old “Kpangolo” afropop sound and adapting more international sounds, of trap, R&B and new school Hip Hop.
Generally, the Nigerian music industry this year has proven to be more tolerant for newer and more experimental sounds away from the usual street-hop and club anthems. In this new wave of sound, Olamide who thrived massively in the 2014 – 2016 reign of Street hop sounds has been found struggling since the release of his sixth solo studio album title “The Glory”.Read More